A FLORAL DIVERSION

18 June, 2020

We are all a little freer now after the easing of restrictions and are able to get out and about more.  We were grateful to be able to book up and visit Kew Gardens, not much of a history link other than the ties to some of the West London Nurserymen and some structures from the Japanese Exhibition, but it was good to walk in some pleasant open space and see the outside of the Palace and other buildings. 

Maya Donelan has provided the following link about Emery Walker’s Emery Walkers Gardengarden. Many of you will be familiar with the inside of the house and its contents and may even have wandered in the garden down to the river bank as we did on the Society’s visit but few will have picked up this wealth of information. Emery Walker’s Garden. We should acknowledge this comes from the London Gardens Trust Blog which you can explore on a rainy day.

Surprised to come across what appears to be Fulham Palace as the centrepiece of a map of gardens in London. Excuse the advert but it may be of interest to the many FP volunteers as well as gardeners.

A London Floral by Natasha Goodfellow (Finch Publishing)

Finally even more off-piste but maintaining the theme – Derek Jarman’s Book published by the Garden Museum brings a different perspective to gardening and his view of the world from his last home on the beach at Dungeness.

ISBN 9781527259164

Back to local history in the next post I promise, stay safe.


JUNE QUIZ, MORE READING AND WALKING

6 June, 2020

We are all able to get out a bit now but still mainly at home so how about another Quiz?  Something to read? Or perhaps a Walk?

First up Here is the Quiz.

Foreshore Recording and Observations Group

FROG

For the reading you might try a Thames theme.  We’ve had a couple of talks from the Museum of London Archaeology (MOLA)’s Nathalie Cohen and Eliott Wragg about their work on the Thames foreshore and the work of the splendidly named FROG (Foreshore  Recording and Observation Group) indeed a couple of our members have given updates on the work.  MOLA produced a book written by Natalie and Eliott – The River’s Tale   ISBN 9781907586453.

I have just started reading an independent mudlarker’s account which is also fascinating and almost immediately relates the fate of the Dove type (thrown from Hammersmith Bridge!). – Mudlarking – Lost and Found on The River Thames by Lara Maiklem ISBN9781408889237.

You might like to build up a thirst by checking out London’s Riverside Pubs by Tim Hampson ISBN9781847735027 which could lead to walks!  Especially when they re-open.

For those interested in post war buildings try John Gringrod’s Concretopia ISBN9781906964900 a catalogue of triumphs and failures in this unloved but practical material (even the Roman’s used it!)

A crime novel linked to the histoic bombing of St Pauls The Blue Last by Martha Grimes ISBN9780747268420 or 0747268428 will keep you gripped.

  

And finally to walks. LBHF has catalogued a number of short walks with a set of downloadable guides here. Some cover ground trod on our outings but there are plenty so should last the lockdown.  thanks to Vernon Burgess for the link.

If you cannot get out then you may like to delve into the William Morris Society’s online exhibition a short video and a trail through the exhibits.

 

 

 

 


FULHAM POTTERY

3 June, 2020

For those, like our Contact Us enquirers Dr Giz Mariner, Norman Lippitt, David Drew and Peter Dazeley, who are interested in Fulham Pottery then the LBHF Archives have a wealth of information. Specifically:

1869-1969: ledgers, day, cash, letter, time, wages, sales, stock and despatch books, misc corresp, price lists, copies of plans
Hammersmith and Fulham Archives and Local History Centre
DD/255,DD/261,DD/336,DD/340,DD/379,DD/448
NRA 16821 Fulham Pottery
and
1901-1978: corresp, ledgers, wills and catalogues
Hammersmith and Fulham Archives and Local History Centre
A2006/18

There is the Fulham & Hammersmith Historical Society Archaeological Section (Occassional Paper 1)  published in 1974. The Fulham Pottery, a preliminary account by V.R.Christophers, D.C. Haselgrove and O.H.J. Pearcey, also in the archive.

 

Also the following book may be of use if you can obtain it:

The Journal of Ceramic History number 11 John Dwight’s pottery 1672 to 1978 a collection of documentary sources published Stoke-on-Trent Museum 1979 edited by Dennis Hazelgrove and John Murray.

The following oil paintings are from the Burgess collection.

Fulham Pottery Yard
Painting by E Tudor

Burlington Road scene by Edward Masterson

Burlington Road scene of Fulham Pottery by Edward Masterson 1974

Posted here for reference as the Contact Us files are only temporary.


SIR EDWARD ELGAR

28 May, 2020

How many members are aware that Elgar lived in Fulham and that there is a London County Council ‘blue plaque’ on his former home?

Sir Edward Elgar, one of England’s greatest composers, was born at Broadheath near Worcester in 1857. His father was a piano-tuner who also ran a music shop and was organist at St. George’s Roman Catholic Church. Elgar succeeded him as organist between 1885-89.

Growing up in a musical family, Elgar won praise as a child for piano improvisations but had no formal musical training apart from violin lessons he received from a local teacher. Later he played in the orchestra at the festivals of the Three Choirs. He left school at 15 and for a while was apprenticed to a solicitor’s office but soon decided to devote his life to composing, and thereafter worked as a teacher and freelance musician.

A turning point came in 1886 when Caroline Roberts, the daughter of the late Major-General Sir Henry Gee Roberts, became one of his piano pupils in Malvern. She became his wife in 1889. They decided to set up home in London and took as their residence 51 Avonmore Road in Fulham, a backwater off the North End Road near Olympia, where their only child, Carice, was born. Here in 1890 he wrote his popular ‘Froissart’ Overture for the Worcester Festival. However, in 1891 the couple decided to leave London, where his works had not had much success. They lived in Malvern, then moved to Hereford in 1904.

His wife’s belief in his genius was a great spur to Elgar and he spent most of his time composing. By 1899 with the publication of the ‘Enigma Variations’, one of his most popular works, he was being recognised by the public as a major composer. The following year he produced what is considered his masterpiece ‘The Dream of Gerontius’, the setting of part of a poem by Cardinal Newman. Elgar drew inspiration from the culture and landscape of England, working in all the major forms of music except opera.

There now followed a period of great musical activity, his finest works were composed over a time span that lasted two decades. The most well known of the period include the Pomp and Circumstance Marches (1901-07) the first being known as ‘Land of Hope and Glory’; the overture ‘Cockaigne’ (1901); Introduction and Allegro (1905); the Symphonic Study – ‘Falstaff’ (1913); the Violin Concerto (1910) the first performance of which was given by the great violinist Fritz Kreisler; the 1st and 2nd Symphonies (1908 and 1911). His other famous work, the Cello Concerto (1919), immortalised in the public mind by the performances given by the late Jacqueline du Pré, was written as a reflection on the terrible catastrophe of the First World War. Elgar said it described ‘a man’s attitude to life’. The death of Elgar’s wife the following year had such a profound effect on him that no further major work ever again flowed from his pen.

Elgar’s climb to public recognition was slow but once he was seen as one of England’s greatest composers the honours flowed in. A Knighthood in 1904; Order of Merit 1911; appointed Master of the King’s Musick 1924; KCVO 1928, Baronetcy 1931, GCVO 1933, as well as numerous honorary Doctorates and Degrees from the Universities of Oxford, Cambridge, Durham, London, Yale and many others. Edward Elgar died at Worcester on 23 February, 1934, aged 76, and was buried in his wife’s grave at St. Wulstan’s Church, Little Malvern.

This article first appeared in the Fulham Society newsletter no 77 in July 2007 and we are grateful for permission to use it

This is just one of the 450 Personalities of Fulham and Hammersmith that are briefly summarised in our publication of the same name by Keith Whitehouse.